September 23, 2016
#CokeStudio season 9, #CokeStudio9, 2016, Amir Azhar(Banjo), Rahil Mirza(Guitars), Umair Hassan(Keyboards), Fazal Abbas(Tabla), Bradley Dsouza(Bass), Nadeem Iqbal(Harmonium), Azhar Hussain(Accordian), Sajid Ali(Flute), Joshua Keith Benjamin(Keyboards), Babar Khanna(Dholak/Tabla), Aahad Nayani(Drums), Imran Akhoond(Guitars), Kamran 'Mannu' Zafar(Bass), Haider Ali(Keyboards/Piano), Kashan Admani(Guitar), Abdul Aziz Kazi(Precussions), Cokestudio pakistan, cokestudio review, cokestudio season 9 finale, Dil Kamla, Faakhir Mehmood & Natasha Khan, Javed Iqbal(Head), Ghulam Abbas, Nadeem Ahmed, M Ilyas, Sakawat Ali, Ghulam Mohammad, Nimma nimma, qb, Quratulain Baloch, Rachel Viccaji, Shahab Hussain, Nimra Rafiq, rafaqat ali khan, sab jag soye, Sabir Zafar, shani arshad, shiraz uppal, shuja haider, SONG CREDITS, tu kuja man kuja, Ustad Tanweer Hussain(Rubab), Sajid Ali(Flute), Imran Shahzad(Dhol), Zahid Sabri, Danish Sabrim, Mohammad Shah, Junaid Warsi
Sab Jag Soye – Quratulain Balouch and Shuja Haider do their best to give us a different song that has been cleverly composed but they somehow fail to make any mark. I have always liked QB but somehow for songs like these, her voice comes across way too heavy and weighs the composition down, pace wise. Having said that, I would pay in dollars to hear Shuja sing. His voice is clean and absolutely a treat. How I wish this was just his song!
Tu Kuja Man Kuja – Shiraz Uppal & Rafaqat Ali Khan presented us with a song that is fitting to be a part of a finale. Rafaqat ali Khan sahib’s voice and singing is so clean and soulful, it will make you whistle. Just hear him go ‘tu ameer-i-haram’ and you feel all is good. Shiraz uppal deserves all the bloody praises in the world for giving this composition the love it deserves. Ustad Nusrat fateh ali khan would have been so proud at this re-imagination of his classic. Amir azhar, the humnawa gang, the entire bloody studio…everyone top class!
Nimma Nimma – Shani Arshad has a voice that is soothing and vulnerable. Mad respect for him to have chosen a song from this genre. What takes you by a pleasant surprise is the way Shahab hussain starts the song, what a master stroke! Listen how the playful Tanweer tafu compliments Shahab in the opening of the song, like a child who is negotiating twists and turns. Although even in this song I felt that overproduction was doing its best to spoil it all, the sheer innocence of composition, lyrics and singing makes you forget all that. Simply superb!
O Re – has Noori giving us a simple, unambitious song that goes a level higher thanks to that brief mischief by Ustad Tanveer Tafu. Apart from that, there is absolutely nothing that would make want to play this again. You know why? Simply because in almost every song of theirs, Noori was always there, jumping and trying to show how great they are. There was zero mystery about their song and even if we are to forget the mystery, this track could have passed away like just another song in an album, let alone being featured in a finale. Nothing to write home about. Sad.
Dil Kamla – by Faakhir Mehmood and Natasha Khan has an easy feel going for it. Even though the tune constantly risks being too linear, loved the singing and arrangement, that has been Faakhir’s strength this season. Natasha is such a revelation though. Faakhir has already voiced Dilruba na razi and he was fabulous in that to say the least. There is just such a quiet confidence the guy oozes. Coming back to the song, not ‘finale worthy’ but certainly not bad at all.
Rang – Rahat Fateh Ali Khan and Amjad Sabri – Emotionally overwhelming, vibrant and soul enchanting. That is all I can write about it. God bless music. God bless you Sabri sahib. We didn’t deserve you. You deserved better.
Season 9 ends.
I kept wondering where was Jaffer in finale?
You can read my thoughts on previous episodes here – 1, 2, 3, 4, 5, 6
September 17, 2016
#CokeStudio9, Aahad Nayani, aashiq ali, Abdul Aziz Kazi, anokha laadla, Anokha Laadla | Damia Farooq & Basit Ali, asim azhar, Azhar Hussain(Accordian), babar ali khanna, basit ali, Chall Mele Noon Challiye, Coke studio season 9 episode 6 review, damia farooq, faakhir mehmood, Ghulam Abbas, Ghulam Mohammad, haider ali, Imran akhoond, jaffer ali zaidi, Jaffer Zaidi, Javed iqbal, Joshua Keith Benjamin(Keyboard), kamran mannu zafar, kasham adnani, Lagi Bina, M Ilyas, meri meri, momina musteshan, Nadeem Ahmed, Naqash Hyder, Nimra rafiq, Omran Shafique, rachel, rachel viccaji, Raees Farogh, rizwan butt, saieen zahoor, Sain zahoor, sajid ali, Sajid Ali (Flute), Sakawat Ali, sanam marvi, sara haider, Shahab hussain, shani arshad, Shehroze Hussain, Shehroze Hussain (sitar), shuja haider, stad tanweer hussain, tanweer tafu, tera woh pyar, uncle jay, waris shah
Lagi Bina / Chall Mele Noon Challiye by Sanam Marvi & Saieen Zahoor – Jaffer Zaidi. What a clean rendition by Sanam Marwi to start the song. I had goosebumps when the padharo share des part made a quick appearance. She is closest to Abida parveen in terms of never losing a note even when she goes high or low. You know why Bullah danced when he danced? Probably because he heard a fakir called Saien Zahoor sing. Now on to Sain Zahoor – it is impossible not to be moved by his voice and here even though his parts are not composed with a soaring call to allah, you cannot help but sway when he takes a jibe at the ‘mela’ that is life. I am just blessed to be alive in the era of Zahoor. Mashallah song!
Tera Who Pyar/ Nawazishein Karam – by Asim Azhar & Momina musteshan – Shuja Haider – It is probably not a good thing for me to write but the sinking feel that the song gave me in the first 3 minutes, it made me sad, very sad. A beautiful medley of two songs (originally by Shuja himself). A song that probably dying lovers would sing as they leave this world for another. I loved Asim because you could actually hear the pain in his ‘nawazishein karam meherbaniyan’…God bless you kid!
Anokha Laadla by Damia Farooq & Basit Ali – Faakhir mehmood Quite impressed with the tune and the way raga based fusion is romancing with rich instruments like accordion
And Sitar with a murderous guitar in the background and almost all throughout. Basit is so good! I haven’t heard anything from him so I would assume he is new. It is so reassuring to see new talent pay their respects to classical stuff with a hint of guitar here and a hint of grunge there. Mighty impressed by Faakhir’s composition. Damia could have been a bit more relaxed. She sounds stressed, may be because her parts are slightly more challenging.
Meri Meri – Rizwan Butt & Sara Haider – Shani Arshad – Criminal injustice was meted out to us by keeping this song short. Sara Haider is too good and so is Rizwan butt. However, I felt Rizwan would have been better reciting the lines or perhaps choosing a different tune. Sara, whatever she got excelled in that. I absolutely adore the tune and the arrangement of the song, if only it was longer..
Not a single song came across as overproduced in this episode and that is such a relief…I have zero complaints now because I am too busy waiting for the last episode of the season next week, in which we will see Sabri saheb sing….for the last time.
This was a good episode overall
Previous episode review links here – 1, 2, 3, 4, 5
September 11, 2016
#CokeStudio9, Aahad Nayani (Drums), Abdul Aziz Kazi, Babar Khanna (Dholak/Tabla), Coke, Cokestudio pakistan, cokestudio season 9 episode 5, faakhir mahmood, faakhir mehmood, Haider Ali (Keyboard/Piano), Imran Akhoond (Guitaars), javed bashir, junaid khan, Kamran 'Mannu' Zafar (Bass), kashif ali, kee dam da bharosa, Main raasta, masooma anwar, momina, momina mustehsan, momina musteshan, noori, Omran Shafique, rahat fateh ali khan, rock song banjo, sadaa, shahzad nawaz, shamaan pai, shuja haider, Tanveer Tafu
Thoughts on CokeStudio 9, Episode 5
Jhalliya by Javed Bashir, Masooma Anwar & Shahzad Nawaz has such a confident start and that voice of Shahzad! Pleasantly surprised at the solid and controlled voice of Masooma, what a find (for us Indians, that is!). This is a good song by all means, still not something that we expect in season 9 of
CokeStudio Cokestudio Pakistan. The goodness of the composition has gone out of the window because of shoddy bollywood type lyrics (what’s with ‘piya’ gap filler?). What a pity, still a decent song and by God Shahzad…what a voice, hope there wasn’t so much music when he was speaking. Give me Shahzad’s voice instead of (increasingly predictable and boring) alaaps and tarana from Bashir.
Sadaa – Something gave me an impression that Rahat fateh ali khan was playing a ‘catch up’ to the tune. There is nothing bad with the song. I liked the tarana towards the end more than anything. I wish there were more variations composition wise. Rahat fateh ali khan is so good, wish he was used better here though.
Shamaan Pai Gaiyaan/Kee Dam Da Bharosa Rachel Viccaji and Kashif Ali have given us the best song of the episode by paying their tribute in a way that would make the original composers so proud. Don’t waste time reading this, head to cokestudio.com.pk and listen to this right away! The composition, singing, variations, back up vocals…everything just on the spot. Take a bow team!
Main Raasta by Noori Momina Mustehsan and Junaid Khan is a rock song with real energy (unlike fake star singers who dumb down music with their autotunes). After paar channa de (which was spoiled by the cacophonous ending), I was quite scared to see yet another song where Noori might refuse to stay in background, but in this song, their participation just adds the perfect grunge that you expect from a kickass song like this. Insanely talented Junaid and Momina, we are watching, give us more stuff will ya?
Overall a satisfying episode thanks largely to Rachel, Momina, Shiraz uppal, Noori, Junaid and Kashif ali. With two episodes remaining and Stars like, Mr. Sabri, Sain zahoor and Sanam marvi’s songs waiting in the wings, I hope the season ends with a splash.
You can read previous episode reviews by clicking on the episode numbers below
1, 2, 3, 4
September 2, 2016
#CokeStudio season 9, #CokeStudio9, 2016, Aaya laariye, ala baali, CokeStudio 9 episode 4, Imran Akhond (Guitars),Aahad Nayani (Drums), Babar Khanna(Dholak/Tabla), Kamran 'Mannu' Zafar(Bass), Haider ALi (Keyboard/Piano),Abdul Aziz Kazi (Percussions), Imran Shahzad(Dhol), jabar abbas, Jaffer Zaidi, Javed Iqbal(Head),Ghulam Abbas Nadeem Ahmed, M Ilyas Sakawat Ali, Ghulam Mohammad, meesha shafi, mohsin abbas haider, naeem abbas rufi, nirmal roy, noori, Omran Shafique(Guitar), Nadeem Iqbal (Harmonium), Sajid Ali (Flute), Paar chanaa de, Rachel Viccaji, Shahab Hussain, Nimra Rafiq, shilpa rao, shuja haider, sohni mahiwal, strings, Tanveer Hussain, Tanveer Tafu, uddi ja, Zahid Sabri, Danish Sabri, Mohammad Shan, Junaid Warsi, Zulfqar Ali Attre
Uddi Ja – Mohsin Abbas Haider has a strong voice and he sung this song rather well. At the risk of being repetitive, the arrangement was a bit too much for me. The lyrics and composition were top class no doubt but it could have been a bit more subtle.
Aaya Laariye – Meesha Shafi, Naeem Abbas Rufi and everyone else in the studio pretty much brought the house down with this one. What I kept wondering was where the brass band musicians were in the song? This is because the song has a pretty heavy brass band set but I was later told it was being played out of the keyboards. Rufi was a revelation to me though, loved his voice and the energy.
Paar Chanaa De – Noori and Shilpa Rao gave us their version of this evergreen song and I came back disappointed. The track was over produced like anything and too linear in my view. Mohan veena and the overall string section was the only saving grace and poor Shilpa rao had to literally struggle towards the end of the song to be heard. Yet again, the tune that was lent to the song was good but the production was all over the place
Ala Baali by Nirmal Roy & Jabar Abbas came across as a beautiful song with nice layers and excellent arrangement. I absolutely loved how Nirmal and Jabar complimented each other. The teasing arabic vibe of the song is just so good! They could have done away with the Punjabi part in between to be honest, but that said, superb song!
By no means a good episode and even though all is already recorded and done, I am worried about the remaining episodes. It was episode 4 today and the noise is already unbearable. I wonder what else is in store for us.
You can read my thoughts on previous episodes by clicking on episode number 3, 2, 1
August 20, 2016
#CokeStudio9, #CokeStudio9Review, 2016, Afreen afreen, ali azmat, bholay bhalay saiyyan, Cokestudio pakistan, Haroon Shahid, jaffer ali zaidi, javed akhtar, javed bashir, meesha, meesha shafi, momina musteshan, Music Review, nusrat fateh ali khan sahab, Quratulain Baloch, rahat fate ali khan, shani arshad, Tanveer Tafu
Bholay bhalay saiyya – starts with the autotuned (or whatever the hell it is called) voice of shani Arshad. It didn’t put me off because experiments are important aren’t they? I am quite keen to understand how the song was conceptualised. In a bid to sound a bit too ‘desi’, the nasal calls of ‘saiyyan’ look plain silly and we know Meesha Shafi can do much better than this. That said, I absolutely loved the crisp production of the song. Apart from a minor part when Sitar enters the composition, there isn’t an instance where the arrangement is over powering the designated sound in a song. Now coming to the video. Those who say ‘why are people concentrating on video?’ are probably unaware that Cokestudio is just NOT an audio property. Had it been the case, we wouldn’t have seen so many ‘red mushrooms of nescafe and what not’ try to copy the way Cokestudio videos are made. So yes, I found the video absolutely silly and repulsive and by GOD the heart called out for the subtle days of Rohail Hyatt. Did I like the song? Yes! Will I go looking for the song in a playlist? Absolutely not!
Afreen Afreen – has been re-imagined by Faakhir Mehmood and boy has he aced it! Rahat fateh ali khan is in top form as he lures you to sleep with his sugar dipped singing and what adds to the sing songy feel of the song is the beautiful singing by Momina Musteshan…I wish she sings another song in the season and I wish she had more sing time in this song. The arrangement of the song is delicate and God those strings! There is a strong sentiment of ‘how dare they change the song of the great NFAK’, I don’t subscribe to it. If we cannot play with classics, then what are we? Play, change, interpret, use, mix and open everything for being retold to the generation that ‘listens song on youtube’. Not everyone would come around to the soulful yet classically heavy grand compositions of our times. So take them, mix them with whatever is contemporary and leave others to explore the original gems…Trust me, you will do a big service to the classics which would otherwise remain un-heard and would be in a folder that would be named as ‘Maa-Papa ko pata nahi kya pasand hai iss type ke songs mein’. Loved it, loved it so much!
Baliye (Laung gawacha) – composed by Noori and sung by Haroon Shahid (HS) and Quratulain Baloch (QB) has infectious energy all throughout especially the first part of the song when Haroon plays with an interesting tune. I didn’t like QB and HS interplaying each other’s lines. It was almost comical to hear HS sing ‘mera laung gawacha’ and it was tiring to hear QB sing HS’s lines right before her solo part comes in. Nothing sexist intended, just that it diluted the attitude of the song and turned a supposedly rock song (the HS part) into a mushy romantic song which was awkward. QB’s part is the one that could make me explore the song again. I wonder when the hell will she get her solo song? I am yet to hear a more controlled song from her than ‘Ankhiyan nu rein de’. Some might find the Noori band’s sing-along as cute, I find it silly and just a failed attempt to hold the urge to hog the screen…alas! not everyone can see others taking a centerstage. Funny thing – Do we remember Rohail Hyatt? Could we see this on-screen circus when he was there? Think. Overall, a song high on energy (full points to the band and composers for that) and extremely dull on melody and content.
Mann Kunto Maula is composed by the talent powerhouse Jaffer ali zaidi and predictably, the song has a smooth start, a start that is perhaps too perfect. I loved the way Ali Amat has started the song in a pop mood. The way Bashir enters the song is plain calming to the soul. After that the song goes southwards in terms of energy. It is perhaps the most underwhelming Mann kunto maula you will hear thanks to the dip in the energy…but right about 7:16 mins in the song, the energy comes back and how! I wish they would have just made it a simple ‘mann kunto maula…aum tum ta na na na re’ tarana on repeat and it would have worked wonders. Liked it, didn’t love it.
Quite a depressing episode and thanks to the onscreen circus of what appears like lightsabers in the hands of a drunk chimpanzee, there is way too much distraction and subtlety has possibly been forcefully evicted from the studio.
Pick – Afreen afreen
August 13, 2016
#CokeStudio9, 2016, Aaja re moray saiyyan, aaqa, Abida parveen, Ali Khan, ali sethi, Cokestudio, Cokestudio pakistan, haider ali, Imran akhoond, IndiaPakistan, jaffer ali zaidi, Janay na tu, Naseebo lal, Nimra rafiq, noori, Omran Shafique, rachel viccaji, sasu mangay, Shahab hussain, strings, umair, Umair Jaswal, zeb, Zebunisha bangash
Sasu Mangay – Naseebo lal and Umair Jaswal are in their elements in Sasu Mangay. I for one was so relieved to see Umair focussing on singing and not his distracting theatrics, and I quite liked his part. While I absolutely loved the way Mahotarma Naseebo lends the colour of Rajasthan to the song, what stood out was the superb twist to the composition (structure wise) and the fantastic house band including Amir Azhar…what a delight to see him back! I might not hear this on repeat but surely won’t skip it when it comes on the playlist. Well done Shiraz uppal, (music director) for getting the scratchy vocals of Umair and the power throw of Mahotarma Naseebo lal’s together. I strongly feel that the potential and the possibilities that Naseebo lal’s voice brought to the table weren’t fully utilised here.
Janay na tu – sung by Ali khan and composed by
Jaffer zaidi Ali Khan himself, the song has a delicate and adorable ‘nindiya re’ feel in the opening. Riding on the smooth and almost effortless singing of Ali Khan, the song is a treat! This is how a ‘soulful romantic song’ is done. What provides a melodious layer to a rather simple tune is the string section along with the new set of back up vocalists (except Rachel, she is a Cokestudio Veteran now!). Way to go Ali! It might not be ‘bewajah’ from the last season but wait till you see this one ‘inspiring’ a Bollywood song soon (not that it is a criteria).
Aaja re moray saiyyan – is composed by Noori and sung by Zebunisha bangash. The sound is over produced and at times it felt like Zeb’s voice is trying hard to be heard amidst cluttered arrangement. Having said that, even Zeb falters, especially towards the end (finally! she is human it means!). It is a happy song and while I am not one of those who think ‘Cokestudio should only do songs that make you go crazzzzzaaaaaaay and spread junoonnnniyat’, I would have liked a bit more fine tuning in the song. if you sing this song in a group, you will enjoy it because the tune is very nice. Here, it fails to deliver. Easily one of the weakest compositions to ever feature in CokeStudio post Rohail Hyatt. Royal has spoilt us rotten! He raised the expectations so much that we have all come to be believe – ‘Nothing can go wrong even by mistake in CokeStudio Pakistan. It is too important a platform to err, even by mistake.’
Aaqa – Whoever thought of getting Abida Parveen and Ali Sethi together deserves all the praises. Ali’s free flowing soft vocals with the powerful Abida Parveen sets it up nicely. The composition is rock solid and for that Shuja haider deserves a pat on the back. Ali Sethi and the humnavas are in top form. There is a free flowing quality to Ali Sethi’s voice and that is why it is a bold step for him to try a composition like this. A fabulous ode to the almighty that will resonate long after the season is over. I wish the ending was managed better, it gave me an ‘over produced’ feel. Simply put, you do NOT come in the way (even in the form of an over excited music arrangement) when Abida parveen is concluding a song.
Overall an underwhelming start to the season 9, hope it gets better from here.
My picks – Jaanay na tu and Aaqa