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CokeStudio Season 8 round-up #CokeStudio8

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You can find my earlier post on the 10 best songs of CokeStudio Season 8 here. And if you don’t want to read this long post, simply click the playlist below. Simple that way. Thanks a lot Ankit bhai for putting the playlist together.

Here is the list of all songs I liked from this season and all ‘things’ I didn’t like.

With the Season 7 not cutting much ice with the music fanatics who were disturbed to see Rohail Hyatt’s departure, the show’s new producers – Strings, had their job cut out. They had to economize on the over-expressive presentation and clamour in the studio and focus on what CokeStudio Pakistan is best known for – Fusion of the known with unknown and revitalizing old classics. The season 8 has just concluded and here is what we think was good  and not so good with it.

Artist line up – You could sense from the artist line up promo that producers were quite confident. The house-band was more or less similar to the last year’s show but with some welcome additions like a child Sitar Prodigee Shehroze. Having Farida Khanum, Shazia manzoor, Mai Dhai, Ali Azmat, Ali Haider, Ali Zafar, Arif Lohar, Atif Aslam, Ali Sethi and host of other exciting new names meant there would be a right mix of mellifluous outings with some euphoric sounds peppered generously.

The Season started with a bang with Mai Dhai and Karam Abbas presenting us with a thunderous Aankharli Pharookai which was an attempt of recreating desert sounds with the unique CokeStudio Pakistan Signature and it worked. The Sur Kshetra music reality show winner Nabeel Shaukat Ali mesmerized us with this flawless rendition of Bewajah which is a ghazal-sque composition treated with pop sensibilities. The runner up from the same reality show Mulazim Hussain is also a good voice to look forward to because in both his outings in the show, he came across as someone who has a good range blessed with excellent voice. His Ve Baneya would be no doubt one of the best songs of this season as he complimented a polished Fizza Javed to give us an old classic that was fused brilliantly with an earthy folk song.

Staying with the folk brief, it was an absolute delight to hear Siege recreate Mai bhagi’s thari cult classic ‘Khari neem’ and transform it into a song that retains the desert charm but with a solid flamenco influence and violins to die for! Staying put with folk fusion, Rung jindri had a strong tune that needed a set of solid vocals to catapult the song to the orbit we are all familiar with when it comes to CokeStudio Pakistan. Thank God for Arif lohar and those backup singers who did just that.

Jaffer Zaidi is much more than keyboard and accordion player. We heard him sing a motherly lullaby years back in CokeStudio and he made a comeback behind the microphone this season with possibly the most understated sung song in Nyun la leya which might not be everyone’s cup of tea but has a haunting presence. Speaking of a haunting experience, although it wasn’t a special song ‘music wise’, but you hear chiriyan da chamba and chances are you would be affected by the song for a very long time. In addition to steady singing by Suraiya Khanum, the recitation by Anwar Maqsood stirs your soul and makes you wonder what caused the lump in your throat

Apart from doing cover versions of old classics and folk songs, there are always attempts at creating something new in the studio. Bakshi brothers, who sound like a bundle of talent gave us Khalis Makhan which navigated our senses back to good old days where ‘likes’ were real and happiness was more than ‘lol’. It was a comforting to see Malang party sing their hit single Dil jalay and mix it with wild guitars in the studio. Shazia manzoor, in the company of arguably the best qawwals of today from Pakistan, The Rizwan-Muazzam Qawwali Group, gave us a beautiful awadhi song in Hare hare baans. Ustad Hamid Ali’s Piya dekhan ko might sound too simple for CokeStudio Pakistan but it remains a favorite from the season because it is simple and very well presented. Meekal hassan band finally got inside CokeStudio and did rather well in both their songs Sayon and Kinaray, with kinaray being the calmer of the two. It would be no less than a crime to not hear Sharmistha Chatterjee’s voice in some Indian projects.

Now on to the songs which in our view have defined the season.  In no particular order, we begin with Atif Aslam paying a worthy tribute to Sabri brothers by reimagining the cult classic Tajdar-e-haram and in the process, giving us his best song till date in all the seasons of CokeStudio to date. The sheer energy of the song is divine, to put it mildly. We then move to Umran Lagiyaan that is fused with Chan Chan Chakan and even though Nabeel Shaukat ali does well, the song belongs to the magnificent Ali Sethi whose voice and singing is captivating and fluent, what a rare quality to have these days! Ali Zafar disappointed us in 2 out of 3 songs that he did for the studio this season. Rockstar is the song in which he soars! Penned as a pun on himself (read – rockstars!), probably this song is the most innovative song of the season and delivers what Ali Zafar will have a tough time to beat for a long time. Lastly, in what is the song of the season for us, The Rizwan-Muazzam Qawwali Group brought the house down and inched us closer to heaven in their powerful sakal bann. The sheer energy and correctness of the rendition transcends everything else done in Season 7 and Season 8 by strings and reminded us of the ‘yet to be toppled’ 16 minute rendition of ‘Kangna’ by Fareed Ayaz & Abu Muhammad which was a part of the Season 4 when Rohail Hyatt was at the helm.

There were other not so good attempts as well ranging from Umair Jaswal pouring in too much emotion in a song that didn’t require any, or for that matter the highly auto tuned sounding Asim Azhar. Ali Zafar and Atif Aslam were quite ordinary in their other two songs. Specifically talking about Ali Zafar’s ‘Ae dil’ song – the ‘take it away’ part from Ali Zafar and an attempt to put in too much into one song just killed the feel and continuity and left me quite confused, although pleasantly surprised to hear Sara HaiderThe ‘Ajj din’ song starts so well that you will probably have tears in your eyes and then it all goes south when Ali Zafar comes across unprepared as he reads out Ghalib..and reads it badly. Quratulain balouch still hasn’t got a solo song and that is plain sad. Two biggest disappointments were Ali Azmat and Ali Haider. While Ali Azmat’s song sounded too pre recorded and devoid of any real energy, Ali Haider kept going out of tune like he used to during his prime. That said, Samra Khan, Alycia Dias and Sara Raza were very good.

It was heartening to see the phenomenal presentation of Farida Khanum’s Aaj jaane ki zid na karo by the songstress herself and this would remain the high point of all the musical movements forever.

Lastly, the houseband including guest musicians were brilliant throughout the season. Tanveer Tafu, Sajid Ali, Arsalan Ali are probably the best thing to happen the houseband which was splendid even before these wonderful musicians joined them.

One of the many duties of regional music movements like CokeStudio is dissemination of their creative riches to the world at large. Even in the age of streaming content, there remains a big challenge whether the listener would lend her/his ear to  someone who she/he doesn’t know. Music movements like CokeStudio act as an assurance for people to try out new sounds/artists.

CokeStudio Pakistan has been consistently doing it and it is assuring to see Strings getting it right on more occasions than their last outing in the Studio. They come as a respite to music lovers in the subcontinent who are sick of lousy music videos and hollow musical attempts  with no sincerity that end up looking like click baiting celebrity vehicles, taking listeners for granted.

And remember – all this is distributed free, legally.

Review #CokeStudio8 Episode 6

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Previous Episode review here – 5, 4, 3, 2, 1

Ve Baneya  is a song that is fused brilliantly with an old song of Reshma. All of us have a film song for which we have bought an entire album at some stage in our lives. Mulazim Hussain’s part reminds you of that song. He is a good singer and the ease with which he sank his teeth to his part speaks volumes about his talent. Not once would you miss the feel of the song and that is just brilliant. Fizza Javed owns the song  by simply staying close to the classical brief oh her part. It is a part so nice, I wish she got more songs this season. She reminded me a bit of Humeira Channa though. I am surely looking forward to more from her in the days to come. Sajid ali and Arsalan keep the setting simple yet stick quite close to the song and create an armosphere which will have you swaying to this simple yet effective song.

Hare Hare Baans by Shazia Manzoor and Rizwan-Muazzam was the most anticipated song for me for the simple reason that I am yet to get out of the magic of Sakal Bann. (I still feel that is the best song of the season and would remain that way). Add to that the honey dipped voice of Shazia Manzoor and the wait was just unbearable. Fair to say, the song did exactly what I was expecting it to do. The voice and rendition of Shazia hits the bulls eye with ease. Rizwan-Muazzam and party are probably a gift to us listeners who like to listen to pucca music and not get carried over by cacophony. Easily one of the best songs of the season. There is a subtle tribute to piya tose naina laage re I feel in between 5:29 to 5:32 mins in the song, but then I am not a raga knowing chap, so please excuse me if you feel otherwise. Songs like these make it easy to wait for the next season of CokeStudio Pakistan…Thank God for that!

Jiya Karay – Truth be told, I was never a fan of anything except Purani jeans by Ali Haider. I remember while growing up, I used to have serious reservations listening to the voice and somewhat average gayaki of Ali. Still, I remember smiling ear to ear when I saw him in the artist line up. Nostalgia, may be. In this song, he teams up with Sara raza. Age doesn’t seem to have done anything wrong to Ali Haider because he sounds exactly the same (and goes slightly out of tune the way he used to!). Sara raza is the star of the song in my view. What is undoubtedly the star of the song is the arrangement. Be it the splendid Sitar from Shehroze or the harmonica or the flute by Abid ali and Sajid Ali. The song has a beautiful retro feel to it and even if I won’t play it again and again, it will surely become  a song that you won’t skip if you are on a long drive. Not giving a solo song to Ali Haider tells us that Strings learnt from the massive embarassment of getting Zohaib Hassan last year and giving him a lot of songs, including a solo. Old stars look and sound even better when they acknowledge and model their sound/work around the limitations age brings with it.

Kadi aao ni – All the fusion movements in the present day are about bringing mukhtalif artists/sounds and creating something which was not fathomed so far by most of us. With this song, Mai dhai and Atif Aslam came together. The promise of something exciting was always there. Just like Strings avoided the temptation of going berserk with Rizwan Muazzam in a simple babul song in hare hare baans, they have done a good job by keeping the pop feel in tact and keeping the wonderful Mai Dhai relatively subtle than her previous outing in the studio. The song has a pop feel to it but if you ask me, I would probably not listen to it again and again. Part of the reason is below average lyrics (Atif’s part). It is strictly average. Atif is good especially towards the end but somehow it didn’t come together very well for me. That said, I am in love with the first 14 seconds of the song and that wonderful harmonium which very quietly moves along the voice throughout the song.

Over all an average episode with 2 songs making the cut and going on the loop (Ve Baneya and Hare hare baans) and the remaining  two just about hummable but nothing much at that.

Now we have just one episode left and it doesn’t take a rocket scientist to figure out who all will make an appearance in that. Still, am unable to figure out one name (or several names depending on the line up per song). The probable line up looks likes this

Malika-e-ghazal Mohtarma Farida khanum

Alicia Dias with siege

Malang party 

Who else?

CokeStudio Season 8 Episode 3 #CokeStudio8

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You can read the Episode 1 review here and Episode 2 review here

Man Amadeh amGul and Atif give us a folk-pop-routine fused song which is brilliant in bits but cacophonous in the rest. I would have loved a slightly subtle arrangement in the middle portions of the song. Absolutely loved the way the song started and last 2:45 mins of the song. Gul is superb and she should get a solo song soon. I guess the producers weren’t confident that an out and out folk song would fly. I won’t hear this song in repeat but am sure if you do, you will like it more times than the times you will dislike it. Still, could have been better, much better. Meanwhile, while we are at it, please see the inspiration behind the song by GooGoosh (what a cute name!)   (Observe how the arrangement follows the singer and not the otherway round). Also, observe how I didn’t know about the song before this song came out from CokeStudio. So thank you again CokeStudio!

Ali Sethi and Nabeel Shaukat had so so much fun and it rubs off on you when you hear and see Umran Langiyaan. The voice of Ali Sethi opens the song with a call that is so melodious you might not believe. The song defines perfection. Be it the subtle flute all throughout Nabeel’s part in the song, the simple yet effective harmonium or be it the impeccable Ali Sethi. I don’t know about you but the song took me to a village with perfectly combed gardens and a pond and then right about then Ali Sethi added the rock/pop touch to the song. Oh yea, I also loved the way Nabeel took to the microphone. A pat on the back of the producers to merge two excellent songs the way they did.

Neun La LeyaJaffer is much more than a keyboard player and that was established in CokeStudio long back when he mesmerised us with Nindiya re. Here, he gives us a hypnotic song. It is a relief to note that the song is not over produced and lends prominence to the voice because Jaffer has a throw that is quite controlled and doesn’t come across as someone trying to prove a point and yes! he keeps it all melodious, very melodious. His voice touches your heart and you can empathise with the helpless emotions of the song. It took a while for Kaavish to do another song for CokeStudio, and it was worth the wait. So worth it!

Rung Jindri – With the name Arif Lohar comes a tank full of expectations that he would rock the video and the song. In a somewhat poignant presentation here, the tiger from punjab keeps the tune slow and focusses more on the lyrics. A song that talks about life and that too in a somewhat ‘pind meets pop’ treatment. The arrangement is fine and the excellent additional backup singers lend a unique character to the sound of the song which reminds you of Chakwal group, only quieter (because they are in background). The strings section in this song elevates the song without dominating the sound. I especially loved the last few minutes of the song. Don’t expect a ‘jugnee ji’, you will get something similar energy wise but with much more meaning. A good genre for Lohar to touch. Watch out for the clinks of the chimta towards the end. Fantastic touch that!

Overall a super episode which wobbled a little bit in Atif-Gul song but just soared higher and higher post that. The effort is clearly there and the results melodious. A special word for the talented as ever, only quieter and more subtle houseband (when compared to the last year) – Kudos! I love the Aahad Nayani now. For me, he was the star in Atif-Gul Song.

Waiting for next episode of CokeStudio Pakistan is how life is being lived these days and for that, I am thankful to everyone associated with the project.

Main Kurbaan!

CokeStudio Pakistan Season 8, Episode 1 #CokeStudio8

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Aankharli Pharookai – A somewhat familiar ring of Mai dhai’s voice immediately transports you to a desert where a lover is singing and calling out to her beloved who is out somewhere on his camel and that camel advances with a rhythmic bustle. The song is just not about the commanding rendition by Mai Dhai. Karam abbas is just as good and so are Tanveer Tafu on Rubaab (oh that solo towards the end and a quiet presence all throughout) and Arsalan Rabbani on Harmonium. Rajasthani music – you beautiful beautilful thing!

Sayon – Finally Mekaal Hasan Band could make it to the insides of CokeStudio, not that they were missed. Sharmistha Chatterjee is a pleasure to listen to and kudos to the band for choosing the song they did. It is hard to not fall in love with the song barring few overproduced bits but by God does Sharmishtha cover those up or what! As with most of Mekaal Hasan’s work, there is a lot of noise and a constant sense of chaos. In this song, all of it works.

Nabeel Shaukat Ali – Bewajah – Trust CokeStudio Pakistan to give a wonderful pop twist to ghazal gayaki. Ghazal as a genre has been on constant decline post Jagjit Singh’s demise. Nabeel Shaukat ali gives a glorious touch to a ghazal that can be sung without all the accompaniments which are present in this version anyway. Sajid Ali brings the traditional stillness to the composition and it is a pleasure to watch his eyes look up while playing the flute. Not enough good things can be written about the beautiful singing and poignant lyrics. If you have loved someone and lost, keep the tissues nearby, this one will make you cry but you will not complain. Also, the correctness of Nabeel’s rendition tells us he is not a new singer. A pleasure to listen to.

Atif Aslam – Tajdar-e-Haram – Touching classics is always a big risk and kudos to producers to present Atif the way they have done in this timeless classic. With CokeStudio Pakistan, you can almost be certain that classics will not be spoiled (Except for that rare case of Komal trying ‘Lambi Judai’). Be it the humnavas Jamshed Ali Sabri, Naveed Ali Sabri, Mohammad Shan, Zahid Akhtar or that excellent Harmonium by Arsalan Rabbani or the master (Tanveer Tafu) himself on rubaab, there is hardly a note about which you can complain about in the song. Too soon to probably come out with this assumption, but this would remain my favorite for a long time to come and would go right up in the list of favorite songs from this season. CokeStudio Pakistan says this is a tribute to Sabri brothers. Sabri brothers would be proud. Jazak allah!

High point of the episode – Maikashon aao aao, madine chalein. Find it for yourself in one of the songs. When you hear something you have grown up listening to in the bylanes of Old Lucknow and that too done so well, you have no option but to go crazy. Take a bow CokeStudio Pakistan!

One couldn’t have asked a better first episode from Strings who appear to be getting in the groove of there being no groove at all…an ever evolving music wonder that is CokeStudio Pakistan.

The house band is top class and thank you strings for listening to us and stopping those distracting over the top theatrics by the supremely talented backup vocalists. Sara, Rachel, Momin – Kudos!

Thumbs up for Coke!

*Goes away singing – Aao madine chalein, isi mahine chalein aao madine chalein*

CokeStudio Pakistan, Season 6, Thoughts on Episode 1 to 3

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The yearly ritual of waiting for the new season of CokeStudio ‘Original wala’ was rewarded by the entire team of CokeStudio Pakistan. While most musicians are still struggling with ‘fusion’, Rohail has upped the ante and has moved the entire CokeStudio Pakistan to the next level of fusion this time round. You can read more about it on their official website – cokestudio.com.pk

Will everyone like it? No! Good food isn’t easily acceptable to many if they are mostly fed sub-par food.

The two ‘singles’ so far

Jogi* – starts with  Fariha Pervez crooning out the all too familiar traditional lyrics that Pakistan has over used in almost every album that has ever come out.  Still, this version has a lyrical twist in between for a bit which is refreshing. Add to that the taraana by Muazzam ali khan.  Along with the supremely talented dholis in the studio and International musicians, the song becomes hummable for sure but lacks an overall playlist punch.

Laili jaan* – Zeb-Haniya bring the house down with this simply worded old song. A lot of people went down to Youtube to discredit the cokestudio team for any effort (because you know, for them it’s ‘copied’). Still, hear it once and tell me if you don’t smile everytime the insane drummer is shown having fun! The arrangement is top class, the overall extended house band tears the screen apart with this fantastic song!

Episode 1

Without a doubt, the last year belonged to Charkha Nolakha amongst other songs and the chief reason was Umair Jaswal with this husky calls and energetic singing. So it wasn’t a surprise to see him start the season with ‘Khayaal’. It’s an out an out ‘long drive’ song with some good variations by Umair. Clearly, those who hate Atif (because he is ‘besura’ in their own head), have another name to hate now! Superb song!

Babu bhai* – Ali Azmat is back! And this time, expectedly, he is back with songs that ooze out messages. Good or bad? You decide. In this episode Ali Azmat takes  a direct aim at those suck ups who would do anything to reach the top by any means (Koun yahan sochay hai, haram hai ya halaal hai). The pace is peppy and the arrangement just right. A song that is just over 4 minute, it packs a lot of punch. Don’t be fooled by the light tune of the song, it might just unsettle you!

Rabba ho* Oud starts the next song with Hazrat Saieen Zahoor for company. Now it’s no surprise that Zahoor snores more melodiously than many wannabe singers of India and Pakistan sing. So it comes as no surprise when we hear Zahoor sitting on a chair and just going about it. What we disliked slightly was the reverb his voice was subjected to at some places in the song. Let Zahoor be! Reverb doesn’t need him. Sanam Marvi on the other hand can very quickly confuse you whether it is really her or Mahotarma Abida Parveen who is singing the song.  Clearly, the best song of the episode.

 Episode 2

Laage re nain* – Sarangi by Anil starts this song and remains a character of it’s own throughout this breathtaking song. Ayesha Omar hits it and boy does it stay hit! Zoe and Rachel add sweetness to the song and the Serbian house band keeps it mellow. The song also introduces us to a west African instrument called Kora. The arrangement sounds exotic and neat. What a delight to hear the girls sing in poorbi language. Top class!

Tori chab – Kalenin Burcu Muyam – Rustam fateh ali khan takes up the hitherto less tried Indian (credit on the website as such, by theway) raga Abhogi Kangra  and presents us with an earthy composition. The singing is free flowing and the overall structure of the song sounds surreal. Turkish Singer Sumru Ağıryürüyen weaves her song (Kalenin Burcu Muyam) within this. Although it’s a good enough collaboration, at times I felt Sumru went slightly off key and that stalled the flow of the song.

Abrar ul haq did his bit with Ishq di booti and has a terrific house-band to fall back to. Special mention of the brass section that lifted the song. The song has a message of love and peaceful coexistence and it’s delivered alright! Towards the end of the song, we are introduced to ‘Tar’. The bass section is in fact so good that by the end of the song, I won’t blame you if you forget that it is infact keyboards that start the song!

Episode 3

Neer bharan* – (Zara Madani, featuring Muazzam Ali Khan) We are all human. So I blame my ‘preset’ notion that led me into believing this song will sound exactly like Rohail Hyatt’s presentation of the same in ‘Khuda ke liye’. Still, Zara madani does an able job to sing the entire song on a difficult and near whispering scale. Accompanied ably by Muazzam Ali khan, the song doesn’t ruffle any feathers and quietly ends.

Channa* – And in comes Atif! This time not taking long ‘taans’ but whispering Channa. Brass elevates the song higher. At times playful, at times yodeling, Atif mixes it up very well. The Punjabi lyrics are penned very well and inspite of being an out and out love song with what the ‘youth’ calls ‘mush’, you can totally workout with this song in the background. I would pay a million bucks to hear something similar by this collaboration just for the way the song builds up and ends. Top class Top class top class!

Yaar Vekho – Sanam Marvi brings a good amount of ‘stillness’ with this insightful composition (in raga bhopali). The setting is lifted by the excellent use of Violins. The song is pretty much flat with no flamboyance, beat wise. The interim calls and recitations by Sanam Marvi are bound to make even Mahotarma Abida Parveen Smile. If you cannot understand Punjabi, switch on the subtitles and watch the video and  get addicted. Special mention of Asad Ahmed on guitar and the atmosphere he creates. Mashallah!

Raat gaey* – Zoe viccaji delivers an urdu song with a total jazzed up treatment. The song lightens you up and gives out that foot tapping vibe. Brass (Expectedly) play a superb role along with drums and don’t be surprised if you are transported to an old club with a good singer lighting it up with her singing. A clever song that is delightful to watch (thanks to the violin gang) *toothy smile*

Notice the *mark? These are all the songs in which backup girls (mostly Zoe and Rachel Viccaji) appear and it won’t be wrong to say that they lend a finishing touch to the overall song.

It could have been very easy to continue the same fusion template that Rohail has followed with the present houseband over the years. Still, to disrupt it all and involve musicians from across the world (using technology in a way that logistics don’t hinder the creative process), Rohail Hyatt and the Team CokeStudio Pakistan have raised the bar very high.

Who is willing to catch up?

Episode 5 premieres tonight, do not miss it!

Dear Rohail Hyatt

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Dear Rohail Hyatt

As we can all smell a new season from your musical shelf is just around the corner, I hope…

I hope it will reinforce my belief in good fusion like it did when Saeein zahoor and Noori performed Aik Alif

I hope it will introduce me to newer languages like it did when sketches performed Mandh waai and left me teary eyed even when I couldn’t understand a bit of what was being said (‘Subtitles’ option came much later)

I hope it will make me meet a group of super talented singers like the chakwal group who will enthrall me by the sheer energy they bring to a song in a quiet, understated manner. Remember the kandyaari dhol geet?

I hope it will give me goosebumps like it does every time Tahir Mithu went ‘o ho alllah’ in pere pavan di saan.

I hope it will make me scream the way it did when Atif and Qayaas ran a riot of melody in charkha nolakha

I hope it will remind me to find the meaning within myself like the way it did when Arieb Azhar recited Na raindee hai

I hope it will take an old classic or two and treat them with the goodness that ONLY cokestudio pakistan can do. Remember mori araj suno? Remember dasht e tanhai?

I hope it will confuse me as to what was better? A superb composition throughout or the recital towards the end that took my breath away. Remember Kyun tu achcha lagta hai? Or the last few minutes of ‘mori araj suno’?

I hope it will bring back an old voice just like you brought ‘Lala’ Ataullah khan who gently reaffirmed the ‘still have it’ from ni oothan waaley.

I hope it will have another instrumental piece like seher that charmed the life out of me..

I hope it will show us that we can try venturing out to genres like a lullaby with a simple yet effective nindiya re..

I hope it will give yet another call to the almighty in the plain simple manner that quietly shakes us and wakes us all up…remember Allah hu?

I hope it will ask me to move along with the roads, hopelessly in love. Remember Chal diyay?

I hope it will educate me a bit more about nuances of the popular music forms like it did on Pashto…Remember Paimona or for that matter Larsha Pekhawar Ta

I hope it will take a raga like it took darbari and turned it by it’s head in Kuch ajab khail with a brilliant music arrangement. Some people heard music in the video, others plainly concentrated on why shafqat amanat ali khan was wearing shades in the studio..Kuch ajab khail kartaar ke indeed!

I hope it will wake up a lot of people to sheer awesomeness of a song that can be fused with anything (In this case a simple village song wherein the girls are being asked to get ready and visit a gathering nearby), still it can make you dance…Yes! I am talking about THIS!

I hope you get yet another lion or a lioness from Balochistan who can charm us like Akhtar chanal Zahri did with Dannah pa daanah. I refer to him as the Pied Piper from Balochistan.

I hope it will continue to have the lovely set of backup vocal singers who are undoubtedly the best we have ever come across. Rachel and Zoe just light up every song when they are around, just like all the musicians who are a part of the set up.

I hope it will make me float again like I do every time I hear Senraan Ra Baairya. Didn’t know you can make someone smile and cry in the same song keeping the old world charm intact and the fusion very contemporary.

Lastly, I hope it will erase one more line from these wrinkles (that divide us) like it has done every year so that we can sit and sway together to music because quite frankly, everything else is just a waste of time…

रागों की छनक से पूछ के देखेंगे कि वो पाकिस्तानी है या हिन्दुस्तानी..

So Sri Rohail Hyatt, over to you, Sir!

Coke Studio

The Reluctant Fundamentalist – O.S.T. Review

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The latest offering by Mira nair features various artists and the album has as many as 14 tracks.

The album starts with Kangna,a traditional qawaali performed wonderfully by Fareed ayaz and Abu Muhammad. The accentuated bass towards the end remind us that this is for a Film and not performed for anything else. Although the duo have sung this song for coke studio pakistan as well where the duration was in excess of 10 mins, this one ends in less than 6 minutes, melodious nonetheless.

Bijli aaye ya na aaye features the otherwise serious Meesha shafi. Severely let down on the lyrics the song survives because of the lovely throw that Meesha demonstrates. Peppy. The lyrics are so bad that they actually redefine the word ‘random’. However, this for sure will be closely walking with the narrative, of which I am sure.

Kaindey ney sung by Zahara khan is up next. Performed with just a guitar and Sarod by the side for most part, Zahara appears slightly out of sync at times in this average song.

Ali sethi hums Dil jalaney ki baat kartey ho extremely well and leaves you wanting for more because the track is barely 2 mins long.

Atif Aslam croons Mori araj suno and even though he tries very hard, thanks to the varied versions of this ageless composition that we have come across, this track falls short. But it does sound very theatrical.

Measure of me by Amy ray is the best song of the album. Slow, melancholic and very high on melody. The arrangement is so simple that you might even ignore it. The backup vocal arrangement is brilliant as well.

A young man has to take a stand performed by Michael Andrews is a track filled with a lot of tension thanks to the eerie arrangement and loads of violins used. Ends quickly echoing the tension in the head.

Jannissary again performed by Michael is a slow piano piece with continuous violins. Somehow reminded me of 1947 The earth, this piece. Nicely done.

Something happened – Bass and a lot of bass instills anticipation in what appears to be an anxious track. A track that is very rich on sounds. Faintly heard someone sharpening knife, someone running through a door and then it all descends to a pause. One of the best instrumental pieces ina long time. Highly recommended.

God bless America A very short track comprising of crowds cheering and a continuous beat that eventually fades out far too quickly.

Love in Urdu by Rizzle kicks is a delicately arranged all instrumental piece peppered with subtle Sarod and guitar. Not as beautiful as love in urdu would be but a soothing and simple track.

Focus on fundamentals paints a picture of tension, yet again. Aided in just right measure with violins and a dying bass line throughout. Eerie. Tensed. Dark.

Get us both killed has got a very dark tone throughout. The riffs remind you of a particular O.S.T. Which shall not be named here. 🙂 the tempo steadily rises but never peaks and thats quite eerie.

Too much blood has poured into this river With near absent vocals, this track keeps the dark undertone of the album alive. Aided by flute, the overall grave atmosphere gets a touch of sadness. The almost silent alaap is a touch of class in this track.

With Mira nair, we are sure that the music will be totally circumstantial and compliment the feel of the film. The reluctant fundamentalist is no different. Will I hear it as much as the O.S.T. Of ‘The namesake’? Well, No. The reason is simple. This O.S.T. stays so closely hugged to the film’s feel that you slip into sadness with some of the tracks of this film.

2 Thumbs up! If you are an O.S.T. Collector, do not miss this at any cost!

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