Music in a Salman Khan film is always a delicate affair. The composer(s) job is to give a good thump, but not excessive rhythm because then bhai would have to dance and that is not his strongest point. While doing this, the composer should also give ‘full on’ emotion to the album. Let’s see if Vishal Shekhar have been able to win so many fights in Sultan‘s soundtrack.
In addition to a ‘sing these songs by the dozens so I can rock these songs easily’, Vishal Dadlani, what will catch your attention are the lyrics and the way the hook is nicely woven into the lyrics. Shalmali Kholgade, Ishita, Badshah add the desi oomph in style, a thoroughly enjoyable song!
Rahat Fateh Ali khan was singing too many similar songs in most of his Bollywood outings till sometime back, only to be replaced by Arijit Singh. As a result we haven’t been bombarded with many songs by Rahat off late. Call it the result of this gap or anything you like, Jag Ghoomeya sounds borderline refreshing. Make no mistake, the ‘bolly romantic template’ is at work here as well, just that lyrics and Rahat’s singing compliment each other very well here. There is another version of the song by Neha Bhasin and thanks to those strings that you hear with the ‘too good to believe’ solid vocals of Neha, this version beats all the songs of this film hands down. Isn’t it good to get a song that makes you all gooey and reminds you of the ace singer Reshma?
440 Volt gets its cheekiness from Mika and will most likely get its mass following thanks to the onscreen efforts of the protagonist to dance. Yet again, in spite of a ‘heard before’ tune, what helps this song are the lyrics by Irshad Kamil. It might not be repeat worthy, but at least the song doesn’t sound cheap.
Sultan has Sukhvinder Singh and Shadab Faridi doing their best to tell us that this is a high energy song. It is at best the ‘skip this pls’ song on the playlist. An underwhelming arrangement and bored singing vie for honours here. Rise Of Sultan by Shekhar Ravjiani and chorus is also underwhelming because you cannot offset a bad tune with excessive structuring of heavy instruments. Enough said.
Sachi Muchi by Mohit Chauhan and Harshdeep would probably be the flattest song this year. With an arrangement that could have been used so well, we get a lame song that practically achieves nothing and celebrates its mediocrity with a bunch of tired backup vocalists.
Papon gets to sing Bulleya and he excels in it. If only the tune was more refreshing, it could have been ‘repeat’ worthy. Here, the song comes across as an accessory to probably move the narrative forward in slow motion on screen. In spite of Kamil’s earlier interaction with ‘Bulleh Shah’ where apparently ‘kass ke mujhe galey lagaya’ happened, the lyrics here are saner.
Noora Sisters and Vishal Dadlani present an interesting experiment to us in Tuk Tuk and inspite of being at their earthy best, what steals this song is the ‘pehelwaan rap’ done by Vishal Dadlani. Our traditional sports deserve more ‘cool’ treatment, so kudos to everyone associated with this song for a step in that direction.
Music album wise, If your last few outings have been Kick, Bajrangi Bhaijaan and Prem Ratan Dhan Payo, you can only go up from there. With some good thump in Baby Ko Bass and Pehelwaan Rap (Tuk Tuk) and Neha Bhasin’s Jag Ghoomeya, the album does have something going for it. For keeping the ‘bhainess’ alive in most songs and sparks of brilliance in others, I liked the album, just about. Having said that, it is probably the best music album for a ‘bhai-film’ in a long long time.
This review appeared first on Quint here
You can hear the review on B.B.C. website here