Ghazal as a genre has been on a decline since last few years. Blame it on high decibel promotions that other ‘non ghazal’ albums get or the general lack of interest from the music companies, but it is not far from reality to assume that ghazal albums are way too few.
I dug up some old releases and came across this album that tries hard to keep the genre alive
Ghazals are penned by Ameeta Parsuram “Meeta”
INR 150 on iTunes
Vocals are by none other than Ustad Rashid Khan, his daughter (who makes a debut) Suha khan and Ameeta Parsuram “Meeta”
The entire album has an element of stillness which is well paced out musically and lyrically. Take for example Mujhe irshaad sung by Ustad Rashid Khan, the excellent music arrangement and well spaced out treatment ensures that it becomes easier to listen to Ustad Rashid Khan when he is not taking long taans. Poetry is top class and even though the ghazal is nearly 10 minutes long, you do not feel the weight of the duration and that is a big plus, given that so many ‘items’ camouflaging as ‘ghazals’ these days make you wish they get over with as soon as possible. Pyaar karu ya na karu is a nazm/recitation in the voice of Meeta and is actually a rejoinder to one of her nazms which was featured in the album Irshaad. You can read about it here.
It’s a breath of fresh air (albeit the lyrics are too painful) to hear real poetry that conveys pathos the way only a nazm can convey. Haan wohi lamhe introduces Suha Khan and you will be pardoned to think that she starts the ghazal in a very shreya ghosal-ish fashion. The music arrangement is contemporary yet spaced out, which is a relief. The tune is easy on the ears and you are sure to like this debut by Suha. Kambhakht dil ne is sung by Ustad Rashid Khan. The use of Sarangi all throughout the album is top class but it is sweeter in this ghazal. The wordplay again is delicious. I would have liked a bit more emotion from Ustad ji because to me he sounded slightly flat in this one. Nevertheless, this is a brilliant ghazal.
Talaash starts with delicious mix of flute, violin and guitar only to be complemented by Meeta’s voice and Suha Khan takes it on from there. Fluid tune and simple singing has kept this ghazal quite hummable and that is just about it. Dastak and Jawab-e-dastak are both nazms which are voiced by Meeta and it’s quite an interesting experiment to feature two tracks that complement each other. Although I must add that the recitation and it’s tone is quite similar to the ones featured in Irshaad. That said, the words hit you hard with their weight and it’s a pleasure to hear such Nazms. Ye kya sochna has brilliant Sarod and violin starting it and Ustad Rashid Khan lending his voice. He sounds much more comfortable in this ghazal and the feel of the ghazal is intact, undiluted. The ghazal touches upon the loss of a beloved and how everything feels incomplete as a result of that. Labon pe ishq concludes the album. Meeta brings in the ghazal and Ustad ji tries his best to accommodate ghazal gayaki to his already perfect self. The only thing off-putting to me was the music arrangement which came off as cluttered to me at times. The lead up to the first line of antra is done by Meeta.
All and all a must have album not only to listen to Ustad Rashid khan singing ghazals but for the simple reason that this one tries to stay close to the genre of Ghazal that is fast dying. You need an example of that? This album was released in April, 2013.
You can listen to the album here