Go Goa Gone – Music review

With the O.S.T. of some films ‘celebrating 100 years of cinema’ hooked and cooked with, here comes an unashamedly party album that is not confused about it’s identity and presentation.

Slowley Slowley – Heavy bass arrangements and a ‘phunk’ start scream ‘party song’ right from the word go! The atmosphere is created superbly within the first minute of the song. Excellent back up vocals ensure that this shall be a ‘long play’ song at the dance floor and I am quite sure it shall be used well in the film as well. The film deals with Zombies and trust me the way the song ends, you will know it. Excellent touch, that!

Khoon choos ley – Oh the excellent start to the song! Surprising enough the song DOES NOT deal with Zombies! It is a song for our beloved ‘Monday’! The blood sucking Monday that we all love to hate! Penned smartly, arranged smartly, everything is spot on for this ‘Monday anthem’. There is a good amount of graphical description of what and how to itch and where. Fun! fun! freaking fun! (woo woo woo woo!). There is that addictive tune that will make a lot of people twist and turn on the dance-floor. DJ’s shall have an easy crack at this song. 2 thumbs up!

Babaji ki booty – We talk about Goa, party and no mention of ‘jadi booty’? Not possible! A slow reggae like treatment and an overdose of shaitaani lyrics make this song what it is. Bakar filled joyride! Quite easy to imagine the way the song is filmed thanks to ample *cough* and dialoguebaazi in the song. Special word of appreciation for Anand tiwari and his ‘discourse’ towards the end. Pass the joint and let this play! Listen to the pronunciation of ‘है’ by Anand tiwari to know how jagrata singer-sque he is :). Superbly done!

Khushamdeed – A soothing guitar riff starts the song and you know this isn’t going to be a party song. A song that is paced rather fast but isn’t quick when it comes to rendition by the singer. Shreya ghosal does full justice to the excellent tune. A special thing to note in songs that are penned around a word (example – saiyyara, mashallah and what not in the recent times!), this song doesn’t over-stretch the usage of the word in the song and that’s such a relief! A lesson for others to learn. The song is thankfully not tailor made for shreya (that has been the case most often), it is a different style of singing to which shreya ghosal has adapted and adapted well. Excellent lyrics as well!

I keel dead peeepal – A fun mix of dialogues (with an acquired accent wala Saif ali khan and the rest of the cast) with some dubstep! The best part? Yes, the way it ends!

Have always believed that a soundtrack that adds positively to the film is better than a soundtrack that is good ‘stand alone’ with not much role to play in complementing the overall feel of the film. Additionally, none of the songs are excessively long and that’s just superb!

Sachin-Jigar have presented an album that stays very close to the film’s premise and gives us a good peek of the fun it would be (hopefully!) on screen. With this album, I am happy to confess that I am looking forward for the duos next work!

The craziest album of the year so far, has arrived!

My pick – entire album. Entirrrrrrrrrrrrrrrrrrrrrrrre. Album.

Babaji, I love you.

Full credit list (Confirmed by the composers)

1. Slowley Slowley
Jigar Saraiya and Talia .
Lyrics : Priya Panchal .

2. Khoon choos le
Arjun Kanungo , Suraj Jagan and Priya Panchal .
Lyrics : Amitabh Bhattacharya, Sachin-Jigar

3. Babaji ki booty
Anand , Kunal , Sachin , Jigar , Raj , Dk and Bornalee Deuri .
Lyrics : Amitabh Bhattacharya .

4. Khushamdeed
Shreya Goshal .
Lyrics : Priya Panchal

All Songs composed and arranged by Sachin-Jigar
Additional programming by Hyacinth D’souza and Abhijeet Nalani .
Backing voices : Priya Panchal , Megha , Neuman Pinto , Francois Castellino , Divya Kumar , Sachin and Jigar .
Guitars : Krishna Pradhan , Randolph Correa , Kalyan Baruah
Ukele and Backpacker : Sanjoy Das (Bapi)
Clarinet , Oboe and Eng. Horn : Michael Schandler .
Vibraphone : Sukesh Gupta .
All Songs mixed and mastered @ Future sound of Bombay by Eric Pillai

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