This post first appeared here – http://bit.ly/moifightclub

In the times of ‘gone with the click’ I cannot remember the last time when the curiosity of a music score being released was even half as it was for the soundtrack of ‘Rockstar’. Guilt is my witness as I shamelessly searched all the ‘shady’ sites to catch hold of this album because right from the first promo we could all smell ‘Rahman on the rocks’ soundtrack. Does it live up to the hype? (Yes T-series, we are talking about the artificial hype you created…Boo you for that by the way!)

1. Phir se udd chala – A folkish chorus of girls humming a tune which you associate with hill stations normally, welcomes you to this song with Mohit Chauhan taking over almost instantly. A song set up with a nomadic feel and the usually accused of being ‘Instrument heavy’ AR Rahman gives us a flavor of how can he blend the music in the background. The first 2 minutes successfully create the anticipation of the song taking off and Mohit chauhan doesnt disappoint throughout. A very positive song.

2. Jo bhi main – Guitar…Yes ‘THAT’guitar starts off with Mohit chauhan throwing his voice melodiously. If you hear attentively you will find the chorus (which is brilliant throughout the album) is set in a very theatrical and live concert style. It doesn’t give you the feeling that a few back up vocals were called in the studio to ‘sing’ (like the ones in the soundtrack of Rock On). The music setting is mostly soft and almost all the ‘hysterics’ are done by a wonderful mix of the ‘crowd’ and Mohit chauhan. Meaning wise, a very deep song especially the part where lyricist has revealed that all of us are just mirrors….I just cannot get the beautiful and very theatrical crowd effect of the song. Two thumbs up!

3. Kateya karoon – The punjabi folk sounds welcome you to a bubbly song mixed with good bass to begin with and then the characteristic (and almost continuous ‘hoye hoye’ chorus). Harshdeep Kaur has sung this song in a very ‘Jaspinder Narula’ style by occassionally making her voice heavy. A generally happy song. Personally speaking, It did not touch me at all because I felt that the song just couldn’t take off. The song iis just under 4 minutes so it just comes and goes.

4. Kun Faya Kun AR Rahman starts and is accompanied by a very ‘dargah like’ harmonium and Javed ali joins. The surreal atmosphere of this composition is very infectious and you would definitely end up listening to it more than once. The ‘beautiful romance between ‘claps’ and a slow guitar is ‘oh so very Rahman’. Javed Ali in between calls out to the power that be. Mohit Chauhan joins the party and gives the song his soul. The part where Mohit is reciting words with a very faint harmonium is what makes this song very very special. The near jugalbandi feel towards the end of the song is surreal and hasn’t been heard for a long time. A very pure song. If you feel it reminds you of ‘Khwaja mere khwaja’ then the purpose of the song is accomplished because when you call out to ‘Maula’, it doesn’t matter if someone else has remembered ‘Maula’ before you. Again, the way the song ends is very very theatrical with AR Rahman leaving a haunting echo.

5. Sheher mein Karthik and Mohit – Not a melodious earth shattering song but a funny song largely thanks to the overall sound of it. The ‘composer’ is very vocal about how should Mohit Chauhan sing this song to ensure that the song is made ‘caller tune’ and is a ‘hit in UP and Bihar’. Mohit by the way croons it well. This will be a treat to see in the film. Clearly the composer (in the film) wants Mohit chauhan to stick to the ‘hit formula’ and not ‘innovate’…but does Mohit listen? Melodiously NO!

6. Hawa Hawa – Acoordion, voilin and a catchy chorus start this retro feel song with somewhat Arabian undertone. A good song because of the way Mohit chauhan has sung it. Hear it attentively and you can almost feel Mohit chauhan dancing in the studio while singing this. The musical setting you might argue is very ‘Zubeida’ like but then hear it and you will hear words like ‘waat’ and ‘bhajiya’! Towards the end you do feel that may be the composer is trying a little too hard. Might grow when the film hits the theatres. (Mohit ‘Meows’ in this song by the way) : )

7. Aur Ho – Mohit and Alma ferovic – A sinking feeling. Thats what the beginning tells you and Mohit chauhan confirms it with very powerful lyrics. The song has a ‘satrangi rey’ (Dil Se) feeling. The instruments are usually repeating short notes to create an eerie feeling. Mohit chauhan at times fades and then comes back almost dreamy/drugged with Alma in the background crying out. A song perfect for theatre performances depicting pain. The song really ends on a high. beautifully.

8. Nadaan Parindey – AR Rahman and Mohit chauhan – Carol like start with electric guitar. The song starts with Rahman requesting one to come back. The song has a very pop feel to it (Ok Ok I will use ‘pop’ and ‘rock’ interchangeably). The words like ‘Har karam ke kapdey mailey hain’ means that the song is advocating peace. Mohit chauhan almost cries out the fact that you will come back home no matter which road you take. The ‘chun chun khaiyoo maas’ (lines from Kabir I guess) are a misfit in the song so I did not like them at all. You might.

9. Tum Ko -Kavita subramaniam – From the start of this song, I got a feeling that this song is an old Rahman song. I hate to mention this but this came across as the weakest song of the album. Although the use of sarangi and tabla is very ghazal like, the song didn’t touch me at all. May be it was because of the fact that the other songs didn’t have me believe that there could be a ghazal like composition woven in between.

10. Sadda Haq – Yes…HELLL YES! Orianthi starts the guitar and tells you quite clearly that this would be the song that will result in the demise of a lot of woofers and speakers all over the world. Kicking ass from the beginning Mohit recites some lines which are very ‘rebellion’ in nature and then the song reaches the HIGH when Mohit along with the chorus cries out ‘Sadddaaaa Haq’. Trust me, when someone sings from heart, it reaches your heart and this so called SCREAM does exactly that. Cannot recall a song in the near future which shakes you up (in a good way) as this one. I could write an entire post on this song but I will stop. Do check this song out even if you feel it is a rip off from here there or somewhere (because I know such tribe exists who cannot accept a good thing from INDIAN composer you see).

Special mention – Would have been too easy for Imtiaz ali and AR Rahman to have opted for Ranbir’s voice at the beginning of the song but thankfully they have used Mohit chauhan. Keeps the wholesome feel alive to the song.

11. Tum ho – Mohit and Suzanne – Romantica! Aha! Suzanne shines in the background (like always) and Mohit chauhan does a vocal waltz around that feeling of someone’s presence and how he has lost himself and gained love. The song lasts for about 5 mins. or so but ends leaving you wanting for more. Strange isn’t it? The tune is more or less similar to ‘Tum Ko’ mentioned above. I am yet to make an opinion about the song. Any help on this would be much appreciated

12. Tango for Taj – Here is a tango piece which is very old piece and signature Rahman. A typical song which if treated well will be a visual treat. The constant piano and the claps are just too good too be in a piece which just lasts for about 3 minutes. Two thumbs up.

13. The Dichotomy of Fame Shehnai! oh how i have missed you after ‘Swades’ song. After opening this piece beautifully the shehnai mixes well with the rest of the instruments, yet enjoys a ‘lead vocal’ status. Just too good a piece to miss.

14. The Meeting PlaceRanbir Kapoor says one sentence and vanishes…leaving you with much curiosity about the film. No, I won’t write it here. Go discover yourself. In a way, this piece might give away the ending of this film. Or may be not. Spoiler? Let’s see.

This album is undoubtedly a coming of age experience for Mohit Chauhan because he has shouted and romanced at many different levels. A special mention for the master lyricist Irshad Kamil. It’s almost taken for granted that a rock album will have a ‘woofer-phaadu’ music but the character of the songs come out when the lyrics are powerful and it is certainly the case here.

AR Rahman and Imtiaz Ali have gone to the press stating that they have invested a lot of time in this album and when you hear it, you feel they might be right!

Rating – 4/5

So which track are you playing on the loop?