October 6, 2015
2015, Aahad Nayani, ali azmat, ali haider, ali zafar, alycia dias, arif lohar, Arsalan Ali, Atif aslam, babar ali khanna, bakshi brothers, bewajah, Cokestudio pakistan, CokeStudio8, CokeStudio8 round up, farida khanum, fizza javed, Hamid Ali Khan, humnava, Imran akhoond, India, jaffer ali zaidi, kaavish, kangna, Karam abbas, Khari Neem, Mai Bhagi, Mai dhai, mekaal hasan band, piya dekhan k, piya dekhan ko, Rizwan-Muazzam, rohail hyatt, rung jindri, sajid ali, sara haider, Season 8, siege, sikandar mufti, sohini dharti, strings, sur khshetra, tajdar e haram, Tanveer Tafu, tanweer tafu, Ve Baneya
You can find my earlier post on the 10 best songs of CokeStudio Season 8 here. And if you don’t want to read this long post, simply click the playlist below. Simple that way. Thanks a lot Ankit bhai for putting the playlist together.
Here is the list of all songs I liked from this season and all ‘things’ I didn’t like.
With the Season 7 not cutting much ice with the music fanatics who were disturbed to see Rohail Hyatt’s departure, the show’s new producers – Strings, had their job cut out. They had to economize on the over-expressive presentation and clamour in the studio and focus on what CokeStudio Pakistan is best known for – Fusion of the known with unknown and revitalizing old classics. The season 8 has just concluded and here is what we think was good and not so good with it.
Artist line up – You could sense from the artist line up promo that producers were quite confident. The house-band was more or less similar to the last year’s show but with some welcome additions like a child Sitar Prodigee Shehroze. Having Farida Khanum, Shazia manzoor, Mai Dhai, Ali Azmat, Ali Haider, Ali Zafar, Arif Lohar, Atif Aslam, Ali Sethi and host of other exciting new names meant there would be a right mix of mellifluous outings with some euphoric sounds peppered generously.
The Season started with a bang with Mai Dhai and Karam Abbas presenting us with a thunderous Aankharli Pharookai which was an attempt of recreating desert sounds with the unique CokeStudio Pakistan Signature and it worked. The Sur Kshetra music reality show winner Nabeel Shaukat Ali mesmerized us with this flawless rendition of Bewajah which is a ghazal-sque composition treated with pop sensibilities. The runner up from the same reality show Mulazim Hussain is also a good voice to look forward to because in both his outings in the show, he came across as someone who has a good range blessed with excellent voice. His Ve Baneya would be no doubt one of the best songs of this season as he complimented a polished Fizza Javed to give us an old classic that was fused brilliantly with an earthy folk song.
Staying with the folk brief, it was an absolute delight to hear Siege recreate Mai bhagi’s thari cult classic ‘Khari neem’ and transform it into a song that retains the desert charm but with a solid flamenco influence and violins to die for! Staying put with folk fusion, Rung jindri had a strong tune that needed a set of solid vocals to catapult the song to the orbit we are all familiar with when it comes to CokeStudio Pakistan. Thank God for Arif lohar and those backup singers who did just that.
Jaffer Zaidi is much more than keyboard and accordion player. We heard him sing a motherly lullaby years back in CokeStudio and he made a comeback behind the microphone this season with possibly the most understated sung song in Nyun la leya which might not be everyone’s cup of tea but has a haunting presence. Speaking of a haunting experience, although it wasn’t a special song ‘music wise’, but you hear chiriyan da chamba and chances are you would be affected by the song for a very long time. In addition to steady singing by Suraiya Khanum, the recitation by Anwar Maqsood stirs your soul and makes you wonder what caused the lump in your throat
Apart from doing cover versions of old classics and folk songs, there are always attempts at creating something new in the studio. Bakshi brothers, who sound like a bundle of talent gave us Khalis Makhan which navigated our senses back to good old days where ‘likes’ were real and happiness was more than ‘lol’. It was a comforting to see Malang party sing their hit single Dil jalay and mix it with wild guitars in the studio. Shazia manzoor, in the company of arguably the best qawwals of today from Pakistan, The Rizwan-Muazzam Qawwali Group, gave us a beautiful awadhi song in Hare hare baans. Ustad Hamid Ali’s Piya dekhan ko might sound too simple for CokeStudio Pakistan but it remains a favorite from the season because it is simple and very well presented. Meekal hassan band finally got inside CokeStudio and did rather well in both their songs Sayon and Kinaray, with kinaray being the calmer of the two. It would be no less than a crime to not hear Sharmistha Chatterjee’s voice in some Indian projects.
Now on to the songs which in our view have defined the season. In no particular order, we begin with Atif Aslam paying a worthy tribute to Sabri brothers by reimagining the cult classic Tajdar-e-haram and in the process, giving us his best song till date in all the seasons of CokeStudio to date. The sheer energy of the song is divine, to put it mildly. We then move to Umran Lagiyaan that is fused with Chan Chan Chakan and even though Nabeel Shaukat ali does well, the song belongs to the magnificent Ali Sethi whose voice and singing is captivating and fluent, what a rare quality to have these days! Ali Zafar disappointed us in 2 out of 3 songs that he did for the studio this season. Rockstar is the song in which he soars! Penned as a pun on himself (read – rockstars!), probably this song is the most innovative song of the season and delivers what Ali Zafar will have a tough time to beat for a long time. Lastly, in what is the song of the season for us, The Rizwan-Muazzam Qawwali Group brought the house down and inched us closer to heaven in their powerful sakal bann. The sheer energy and correctness of the rendition transcends everything else done in Season 7 and Season 8 by strings and reminded us of the ‘yet to be toppled’ 16 minute rendition of ‘Kangna’ by Fareed Ayaz & Abu Muhammad which was a part of the Season 4 when Rohail Hyatt was at the helm.
There were other not so good attempts as well ranging from Umair Jaswal pouring in too much emotion in a song that didn’t require any, or for that matter the highly auto tuned sounding Asim Azhar. Ali Zafar and Atif Aslam were quite ordinary in their other two songs. Specifically talking about Ali Zafar’s ‘Ae dil’ song – the ‘take it away’ part from Ali Zafar and an attempt to put in too much into one song just killed the feel and continuity and left me quite confused, although pleasantly surprised to hear Sara Haider. The ‘Ajj din’ song starts so well that you will probably have tears in your eyes and then it all goes south when Ali Zafar comes across unprepared as he reads out Ghalib..and reads it badly. Quratulain balouch still hasn’t got a solo song and that is plain sad. Two biggest disappointments were Ali Azmat and Ali Haider. While Ali Azmat’s song sounded too pre recorded and devoid of any real energy, Ali Haider kept going out of tune like he used to during his prime. That said, Samra Khan, Alycia Dias and Sara Raza were very good.
It was heartening to see the phenomenal presentation of Farida Khanum’s Aaj jaane ki zid na karo by the songstress herself and this would remain the high point of all the musical movements forever.
Lastly, the houseband including guest musicians were brilliant throughout the season. Tanveer Tafu, Sajid Ali, Arsalan Ali are probably the best thing to happen the houseband which was splendid even before these wonderful musicians joined them.
One of the many duties of regional music movements like CokeStudio is dissemination of their creative riches to the world at large. Even in the age of streaming content, there remains a big challenge whether the listener would lend her/his ear to someone who she/he doesn’t know. Music movements like CokeStudio act as an assurance for people to try out new sounds/artists.
CokeStudio Pakistan has been consistently doing it and it is assuring to see Strings getting it right on more occasions than their last outing in the Studio. They come as a respite to music lovers in the subcontinent who are sick of lousy music videos and hollow musical attempts with no sincerity that end up looking like click baiting celebrity vehicles, taking listeners for granted.
And remember – all this is distributed free, legally.
October 3, 2015
2015, Aahad Nayani, aaj jaane ki zid, ajj din vehre vich, ajj din verhe wich, ali zafar, alicia dias, alycia dias, armaan, Arsalan Ali, Arsalan Rabbani (Harmoium), babar ali khanna, coke studio, Cokestudio, Cokestudio pakistan, CokeStudio8, Cokestudio8 Final episode, farida khanum, flute, Ibn-e-mariam, ibrahim, Imran akhoond, India, islamudden mir, islamuddin meer, jaffer ali zaidi, Javed iqbal, kamran mannu zafar, malang party, Malika-e-Ghazal, mannu, manzoor ahmed, Mirza Ghalib, Momin Durrani, momo, omran momo shafique, Omran Shafique, pakistan, rachel viccaji, rohail hyatt, sajid ali, Sajid Ali (Flute), sara haider, siege, sikandar mufti, strings, tafu, Tanveer Tafu, zain ali, Zishan Mansoor
Previous Episodes review here – 6, 5, 4, 3, 2, 1
Armaan – With the powerhouse performance in Khari neem in their bag, It was hardly a surprise to see Siege get another song. Alycia Dias gave them company this time round though. A resurrection of sorts of their old song, Siege is on the top of their game with this one. The treatment is what takes the cake apart from Alycia’s powerful yet melodious delivery. This reminded me of good old pop songs of old days which never required a ‘music video’. I won’t be listening to this again and again but if it does appear in the playlist, I won’t skip and that is mainly because of the way antraas are done and that jugaldandi of sorts at about 4:00 mins in the song.
Ajj Din Vehre Wichh – is a song that is composed beautifully but watching and listening to this you cannot help but feel that Ali Zafar was quite unprepared. The ChaCha Ghalib’s lines in between come off disjointed because Ali reads it out the way bad politicans read their speeches. This is a pity because the song has everything else going for it otherwise. An intimate tune, minimal arrangement and as I said, super lyrics. When the promo for this episode showed Ali Zafar‘s name, I wasn’t particularly thrilled. Not because I don’t like the singer, but I felt having 3 songs from an artist in one season is a bit tiring. I have the same opinion on Atif Aslam in this season. Merely goes on to show that the producers were pandering to ‘clicks’ than ‘variety’. Anyway, Just a thought – Ali Sethi would have sung this better and it would have been his second song of the season. Did not like.
Dil Jaley – I came across Malang party thanks to my music list interactions with someone who I am sure is reading this and smiling. Anyway, for the reasons unknown, I missed ‘making noise’ about them earlier because I simply loved their official version of this song which they came out with about 3 years back or so. Right from the word ‘Go’, the song captures your attention with that addictive guitar riff that transforms into a mellow yet very present loop. To my ears, the first part of the song didn’t sound much different from their original version but for the wonderful backup (watch out for the backup singers towards the end!), but then came the excellent improvisation that gives a blues feel and makes the aggressive song fluid in its character. My pick of the episode…boy we have GOT to hear Malang party more and more! Give us more songs Malangs!
Aaj Jaane ki Zid – I am sure I am in minority (and won’t be surprised if It is just me in entire world who thinks so) but I feel that one of the most embarassing efforts of A.R. Rahman is when he tried to sing ‘Aaj jaane ki zid na karo’. It just didn’t work, even superficially! Here, the songstress tells us why She is Malika-e-ghazal. Farida Khanum. If you have heard her original rendition and if you have heard it growing up, chances are your eyes will well up with this fantastic version. Nothing more to add. Thank you Farida Khanum. Thank you for giving melody to our emotions.
Funny slide before the song says – We would like to thank Farida Khanum saheba for gracing CokeStudio, it should have read We would all like to thank Farida Khanum to grace us all by choosing music.
Yes they have excellently made a slide show of her pictures to play during the song. Still better to take a deviation for a living legend like Farida Khanum than for a flunky making a music video about bulleh shah mere ghar aaya kas ke mujhko galey lagaya! Ugh!
Tumko apni kasam jaanejaan…baat itni meri maan lo…
Strings, Thank you for this episode that had 1 bad song, 2 good songs (Malang party and Siege) and one Ghazal which I am incapable of ‘reviewing’
September 19, 2015
Aahad Nayani, ali haider, Arsalan Ali, Atif aslam, babar ali khanna, braj ki boli, Cokestudio pakistan, cokestudio pakistan review, cokestudio season 8 episode 6, cokestudio season 8 episode 6 review, CokeStudio8, fizza javed, haider ali, Hare hare baans, Imran akhoond, India, islamuddin meer, jaffer ali zaidi, Javed iqbal, jiya karay, jiya karey, kadi aao ni, kamran mannu zafar, Mai dhai, mannu, manzoor ahmed, Momin Durrani, momo, mulazim hussain, music, Music Review, omran momo shafique, Omran Shafique, pakistan, rachel, rachel viccaji, Rizwan-Muazzam, sajid ali, sara haider, Sara Raza, Shazia Manzoor, sikandar mufti, strings, tafu, Tanveer Tafu, Ve Baneya
Previous Episode review here – 5, 4, 3, 2, 1
Ve Baneya is a song that is fused brilliantly with an old song of Reshma. All of us have a film song for which we have bought an entire album at some stage in our lives. Mulazim Hussain’s part reminds you of that song. He is a good singer and the ease with which he sank his teeth to his part speaks volumes about his talent. Not once would you miss the feel of the song and that is just brilliant. Fizza Javed owns the song by simply staying close to the classical brief oh her part. It is a part so nice, I wish she got more songs this season. She reminded me a bit of Humeira Channa though. I am surely looking forward to more from her in the days to come. Sajid ali and Arsalan keep the setting simple yet stick quite close to the song and create an armosphere which will have you swaying to this simple yet effective song.
Hare Hare Baans by Shazia Manzoor and Rizwan-Muazzam was the most anticipated song for me for the simple reason that I am yet to get out of the magic of Sakal Bann. (I still feel that is the best song of the season and would remain that way). Add to that the honey dipped voice of Shazia Manzoor and the wait was just unbearable. Fair to say, the song did exactly what I was expecting it to do. The voice and rendition of Shazia hits the bulls eye with ease. Rizwan-Muazzam and party are probably a gift to us listeners who like to listen to pucca music and not get carried over by cacophony. Easily one of the best songs of the season. There is a subtle tribute to piya tose naina laage re I feel in between 5:29 to 5:32 mins in the song, but then I am not a raga knowing chap, so please excuse me if you feel otherwise. Songs like these make it easy to wait for the next season of CokeStudio Pakistan…Thank God for that!
Jiya Karay – Truth be told, I was never a fan of anything except Purani jeans by Ali Haider. I remember while growing up, I used to have serious reservations listening to the voice and somewhat average gayaki of Ali. Still, I remember smiling ear to ear when I saw him in the artist line up. Nostalgia, may be. In this song, he teams up with Sara raza. Age doesn’t seem to have done anything wrong to Ali Haider because he sounds exactly the same (and goes slightly out of tune the way he used to!). Sara raza is the star of the song in my view. What is undoubtedly the star of the song is the arrangement. Be it the splendid Sitar from Shehroze or the harmonica or the flute by Abid ali and Sajid Ali. The song has a beautiful retro feel to it and even if I won’t play it again and again, it will surely become a song that you won’t skip if you are on a long drive. Not giving a solo song to Ali Haider tells us that Strings learnt from the massive embarassment of getting Zohaib Hassan last year and giving him a lot of songs, including a solo. Old stars look and sound even better when they acknowledge and model their sound/work around the limitations age brings with it.
Kadi aao ni – All the fusion movements in the present day are about bringing mukhtalif artists/sounds and creating something which was not fathomed so far by most of us. With this song, Mai dhai and Atif Aslam came together. The promise of something exciting was always there. Just like Strings avoided the temptation of going berserk with Rizwan Muazzam in a simple babul song in hare hare baans, they have done a good job by keeping the pop feel in tact and keeping the wonderful Mai Dhai relatively subtle than her previous outing in the studio. The song has a pop feel to it but if you ask me, I would probably not listen to it again and again. Part of the reason is below average lyrics (Atif’s part). It is strictly average. Atif is good especially towards the end but somehow it didn’t come together very well for me. That said, I am in love with the first 14 seconds of the song and that wonderful harmonium which very quietly moves along the voice throughout the song.
Over all an average episode with 2 songs making the cut and going on the loop (Ve Baneya and Hare hare baans) and the remaining two just about hummable but nothing much at that.
Now we have just one episode left and it doesn’t take a rocket scientist to figure out who all will make an appearance in that. Still, am unable to figure out one name (or several names depending on the line up per song). The probable line up looks likes this
Malika-e-ghazal Mohtarma Farida khanum
Alicia Dias with siege
September 17, 2015
2015, artist credits, bollywood, hindi film music, meghna gulzar, music, not a review, real rockstars, rekha, rekha bhardwaj, talvar music, Vishal Bhardwaj
Easily the most anticipated film of the year, Talvar will hit the screens October 2. Last year it was Haider that appeared on the same date. Here are the full artist credits, the music is out on iTunes. You can stream all the songs for free here
Thank you @NotsoSnob and Junglee pictures for the credits
Music Producer:KETAN SODHA
Recorded By:SALMAN KHAN AFRIDI@ Studio Satya, Mumbai.
Mixed By:STEVE FITZMAURICE for 365 Artists
Assistant Mix Engineer:DARREN HEELIS
Mixed at:THE PIERCE ROOMS,LondonMastered by:CHRISTIAN WRIGHT@ Abbey Road Studios,London.
Choir:DEEPTI REGE, MAYURI PATWARDHAN, ARCHANA GORE & PRAGATI JOSHI
Music Producer:KETAN SODHA
Dholak:HAFEEZ AHMAD, GIRISH VISHWA, RAJU SARDAR & SHREEDHARAN CHARI
Tabla:MUSHARRAF KHAN & SANJIV SEN
Music Assistant:MAYUKH SARKARRecorded By:SALMAN KHAN AFRIDI @ Studio Satya, MumbaiMixed By:STEVE FITZMAURICE for 365 Artists
Assistant Mix Engineer:DARREN HEELISMixed at:THE PIERCE ROOMS, LondonMastered by:CHRISTIAN WRIGHT@ Abbey Road Studios,London.
Lyrics:GULZAR Music:VISHAL BHARDWAJ
Choir:MARRIANNE D’CRUZ, NEISHA MASCARENHAS, MIMOSA PINTO & SAMANTHA PACHECO
Music Producer:KETAN SODHA
Choir Arrangements:RAJIV SUNDARESANMusic Assistant:MAYUKH SARKAR
Recorded By:SALMAN KHAN AFRIDI@ Studio Satya, Mumbai
Mixed By:STEVE FITZMAURICE for 365 ArtistsAssistant Mix Engineer:DARREN HEELISMixed at:THE PIERCE ROOMS, LondonMastered by: CHRISTIAN WRIGHT @ Abbey Road Studios, London.
SHAAM KE SAAYE
Lyrics:GULZAR Music:VISHAL BHARDWAJ
Music Producer:TUSHAR PARTE & KETAN SODHANylon Guitar:TUSHAR PARTEA
Recorded By:SALMAN KHAN AFRIDI @ Studio Satya, Mumbai
Mixed By:SALMAN KHAN AFRIDI
Assistant Mix Engineer:NAREN KAPOORMixed at:Studio Satya, Mumbai
Mastered by:CHRISTIAN WRIGHT @ Abbey Road Studios, London.
September 13, 2015
(Ahsan Papu [flute], Aafi Bakhshi, abid ali, ali azmat, Anjum Bakhshi, Arsalan Rabbani, Arsalan Rabbani (Harmoium), asim azhar, bakshi brothers, Coke studio pakistan, cokestudio review, CokeStudio8, CSS08E05, Gino Banks [drums], haider ali, Hina ki Khushbu, Khalis Makhan, kinaray, lyrics, mandolin, Momin Durrani, noor jehan, rachel viccaji, Rangeela, sajid ali, Sajid Ali (Flute), samra khan, Samra Khan & Asim Azhar, sara haider, Shahryar Khan, Sharmistha Chatterjee [vocals]), Shehroze Hussain, Sheldon D'Silva [bass], Sikander Mufti, Sitar, Tanveer Tafu, Tanveer Tafu (Rhubab), Yawar Khan
Hina ki Khushbu – is a song that all of us came across when we were big enough to know Noor Jehan. For most of us in India, we heard a version of it when Kumar Sanu sang this song in a Hindi film. The Song here is arranged rather well and you get the nostalgic 90s Pop feel from the sound of the proceedings. Samra Khan’s voice is strong and gayaki steady. Asim Azhar on the other hand sounds promising but I couldn’t help feeling the presence of auto-tuner in his voice and quite prominently. Also, it was quite uninspiring to hear ‘kinna sona’ because it lacked the oomph, which is why the song feels long and labored. In fact this debut reminded me of Uzair jaiswal who was not exactly hitting all the right notes but was singing with such honesty that his songs on CokeStudio still remain my favourites till today. See them here and here to know what I mean. There is a wonderful presence of Sitar by Shehroze hussain but even then the song is just not what you expect from CokeStudio Pakistan. An experiment that went southwards if you ask me.
Khalis Makhan rubs nostalgia in less than 40 seconds into the song. The gayaki is understated in parts and takes parvaaz in bits, keeping the heartfelt tune steady. Bakshi brothers are accompanied wonderfully well by Sajid ali, Tafu sahab and Arsalaan on Rubaab, Flute and Harmonium respectively. Not sure if this is limited to 90s kids like yours truly, but I am sure you have heard this tune somewhere else in your childhood and that makes the song special for me. There are a lot of variations in the song and as I said, all subtle and quite hummable. There is a certain pain in during disda nahi..Remarkable song!
Kinaray – I am not a fan of MH Band but I can safely conclude that with this song, MH Band has given us one of the most unorthodox sounds of this season. It is calming to hear the backups accompany the wonderfully talented Sharmishta Chatterjee and deliver us a soothing composition that is not even 4:30 mins. The tune is perfect and singing is top class! My pick of the episode, without a doubt! For all of us who know that this track by CokeStudio is a tribute to this composition, the only grouse is – it is less than 5 mins! Lastly, for some reason my YouTube comment was deleted by the admin at CokeStudio, so allow me to link you to the composition which serves as the inspiration of this song. It is by Pandit Ajoy Chakraborty and you can hear it here
Rangeela – Ali Azmat was the reason enough to wait for the episode and in this song even though I was a tad bit suspicious of the sound (because it sounded too fine and pre-recorded to my untrained ears), Ali Azmat shines. The treatment is a bit filmy and lacks depth that Ali Azmat is known to decipher and display in his songs. The song is good but I have heard Ali Azmat Sing better songs.
Overall, not an impressive episode by any standards but the two songs which work, work like magic!
Picks – Kinaray and Khalis Makhan
September 5, 2015
Aahad Nayani, ali zafar, babar ali khanna, Coke studio pakistan, CokeStudio8, coksestudio review, haider ali, Hamid Ali Khan, India, kamran mannu zafar, Khari Neem, Mai Bhagi, mannu, manzoor ahmed, Momin Durrani, Mulazim, mulazim hussain, Omran Shafique, pakistan, rabba ho, rachel viccaji, saeed ahmed, sajid ali, sara haider, Shehroze Hussain, siege, siege band, sikandar mufti, sindhi, Sitar, tafu, tafu is GOD, Tanveer Tafu, thari
Episode 1 review here, Episode 2 here, Episode 3 here
Rabba Ho – Trust Strings of season 8 to have a million variation in a song that is less than 7 mins. So far it has worked and this song here is no different. Mulazim Hussain reminds me of Sonu nigam and with all the positive vibes (not comparing so cynics, calm your tits please!). The rhythm structure is beautiful especially the way the stanzas are done. Don’t you just love Mulazim when he adds a bit extra ‘hoo’ (with a smile) after that longish alaap of ‘rabbbbbbbbbaaaaaaaaa’? The string section is top class and kudos to Shehroze Hussain on Sitar. Tanveer Tafu can basically play anything. I wonder how much time Tafu sahab takes at the ATM machine. He must get busy playing a tune on the damn ATM card itself! A song that is penned beautifully, composed tactfully and delivered passionately…mashallah!
Khari Neem – We saw what Strings can do with a perfectly simple vintage song when they turned this song by its head and gave us an impressive result here. This time, they got Siege to go crazy along with the entire houseband when they presented their tribute to this song. Fit to say they pretty much brought the house down. This sort of singing might not be everyone’s cup of tea, to me the song is a perfect blend of passion and rhythm. Flashes of brilliance from everyone else in the studio makes up for such a happy song! Those claps, the string section, percussion, everything and everyone top class! The last minute and a half of the song just elevates the proceedings and leaves you there…awestruck! Siege, Please sing one more song for us this season, will you?
Piya Dekhan Ko – True to the expectations which creep up at the slightest promise of two good artists performing together, you will see loads of musical dialogue between Ustad Hamid and Nafees and it is beautiful! The arrangement minimal, the feel just right and the presentation filled with old world charm of raga based compositions, this could be the simplest song of the season yet it will not fail you. A song perfect for light listening as well as dancing. Yes! Dancing!
Ae Dil – Beautiful keyboard starts the song and then it occurs to you that Ali Zafar is singing in English. I am not a fan of english efforts on the Studio. Sara Haider (Who we remember over emoting and jumping in Season 7) sings well and even though the composition is good, the ‘take it away’ from Ali Zafar kills the song because the song is not a ‘take it away’ genre if you know what I mean. The guitar is amazing but it tries too hard to hold the song which is good in pieces (read – Sara’s portions). Ali Zafar is good but somehow we expect much more from him and you do feel that the english part actually compromises the feel of the song from the beginning itself which jeopardizes the continuity in one’s mind. It is not a bad song, just that it sounds broken, especially with the ‘original song’ kept in context in the beginning of the video. Great chemistry between Sara and Ali.
Overall a decent episode where you can listen to 3 out 4 songs on the loop and to be honest, the 4th song isn’t all that bad, just that it is good in portions.
Thumbs up to the producers, this season is turning out to be a revelation!
August 29, 2015
2015, Aahad Nayani, ali sethi, arif lohar, Arsalan Ali, Atif aslam, azerbaijaan, babar ali khanna, Cokestudio, cokestudio 8, Cokestudio pakistan, cokestudio season 8, CokeStudio8, CSS08E03, ghulam fareed, gOOGOOSH, gul panra, haider ali, husn jawani te maa pe, Imran akhoond, islamudden mir, islamuddin meer, jaffer, jaffer ali zaidi, Javed iqbal, kaavish, kamran mannu zafar, man amadeh am, manzoor ahmed, Momin Durrani, music, music review cokeestudio, nabeel shaukat, neun la leya, Omran Shafique, pashto, punjabi, rachel viccaji, review, rung jindari, saeed ahmed, sajid ali, sajjad ali, sara haider, sikandar mufti, Tanveer Tafu, Umran Langiyaan, Urdu
You can read the Episode 1 review here and Episode 2 review here
Man Amadeh am – Gul and Atif give us a folk-pop-routine fused song which is brilliant in bits but cacophonous in the rest. I would have loved a slightly subtle arrangement in the middle portions of the song. Absolutely loved the way the song started and last 2:45 mins of the song. Gul is superb and she should get a solo song soon. I guess the producers weren’t confident that an out and out folk song would fly. I won’t hear this song in repeat but am sure if you do, you will like it more times than the times you will dislike it. Still, could have been better, much better. Meanwhile, while we are at it, please see the inspiration behind the song by GooGoosh (what a cute name!) (Observe how the arrangement follows the singer and not the otherway round). Also, observe how I didn’t know about the song before this song came out from CokeStudio. So thank you again CokeStudio!
Ali Sethi and Nabeel Shaukat had so so much fun and it rubs off on you when you hear and see Umran Langiyaan. The voice of Ali Sethi opens the song with a call that is so melodious you might not believe. The song defines perfection. Be it the subtle flute all throughout Nabeel’s part in the song, the simple yet effective harmonium or be it the impeccable Ali Sethi. I don’t know about you but the song took me to a village with perfectly combed gardens and a pond and then right about then Ali Sethi added the rock/pop touch to the song. Oh yea, I also loved the way Nabeel took to the microphone. A pat on the back of the producers to merge two excellent songs the way they did.
Neun La Leya – Jaffer is much more than a keyboard player and that was established in CokeStudio long back when he mesmerised us with Nindiya re. Here, he gives us a hypnotic song. It is a relief to note that the song is not over produced and lends prominence to the voice because Jaffer has a throw that is quite controlled and doesn’t come across as someone trying to prove a point and yes! he keeps it all melodious, very melodious. His voice touches your heart and you can empathise with the helpless emotions of the song. It took a while for Kaavish to do another song for CokeStudio, and it was worth the wait. So worth it!
Rung Jindri – With the name Arif Lohar comes a tank full of expectations that he would rock the video and the song. In a somewhat poignant presentation here, the tiger from punjab keeps the tune slow and focusses more on the lyrics. A song that talks about life and that too in a somewhat ‘pind meets pop’ treatment. The arrangement is fine and the excellent additional backup singers lend a unique character to the sound of the song which reminds you of Chakwal group, only quieter (because they are in background). The strings section in this song elevates the song without dominating the sound. I especially loved the last few minutes of the song. Don’t expect a ‘jugnee ji’, you will get something similar energy wise but with much more meaning. A good genre for Lohar to touch. Watch out for the clinks of the chimta towards the end. Fantastic touch that!
Overall a super episode which wobbled a little bit in Atif-Gul song but just soared higher and higher post that. The effort is clearly there and the results melodious. A special word for the talented as ever, only quieter and more subtle houseband (when compared to the last year) – Kudos! I love the Aahad Nayani now. For me, he was the star in Atif-Gul Song.
Waiting for next episode of CokeStudio Pakistan is how life is being lived these days and for that, I am thankful to everyone associated with the project.